HOME | UITGEBREID ZOEKEN | INSTANT PRINT | CONTACT | INLOGGEN | KLANTENSERVICE | LEVERING | BETALING
winkelwagen   Winkelwagen

Uw winkelwagen is leeg.

 

Alles voor Thematisch:

Leveren of afhalen

In de winkelwagen kan u kiezen om de bestelling op te sturen of klaar te leggen in één van onze winkels.

 
 
Wednesday 19 December 2018

Onze winkels zijn straks open vanaf 10u.

Hebt u nu al vragen?

Stuur ons een e-mail!
Wij beantwoorden uw vraag zo snel mogelijk.

Onze openingsuren

 
Kwaliteitsgarantie

Het Unizo E-commerce Label waarborgt dat u in vertrouwen kan winkelen op deze webshop.

Meer weten...

 
crumb crumb crumb

Jesper Christensen: 18th Century continuo playing

Bekijk een voorbeeldpagina! 18th Century continuo playing - Christensen, Jesper

 
Titel

18th Century continuo playing

Componist

Jesper Christensen

Bezetting
Uitgever Bärenreiter Verlag
   
In voorraad! U kan dit artikel onmiddellijk reserveren of laten thuisbezorgen. Art.-no. 48643

Onze winkels in Antwerpen en Leuven
Actuele voorraadstatus per winkel:
 
direct beschikbaarAntwerpen
direct beschikbaarLeuven

 
39.95
zet op uw verlanglijstje
 

In recent years, efforts to achieve interpretations that do justice to the criteria of "historical performance practice" have become de rigueur in the world of early music. Not only has this affected the instruments and performance techniques used by soloists, it also impinges on the "musical foundation": the accompaniment. In his figured bass tutor Jesper Boje Christensen, a teacher at the Schola Cantorum in Basle, shows readers how to produce stylistically accurate figured bass realizations, whether written beforehand or improvised in performance. He has taken an unusual approach: the various figured bass manuals of the early eighteenth century by Dandrieu, St. Lambert, Heinichen, Telemann and others are clearly organized and logically structured and contain practical tips for playing from a figured bass. Christensen has put these sources together and added comments and written-out examples of his own. In this way his tutor not only shows how musicians played at the time, but takes a further step of crucial importance: it succinctly summarizes the way figured bass was taught and studied, thereby creating models for players today.

(ISMN 9790006505494)