winkelwagen   Winkelwagen

Uw winkelwagen is leeg.


Alles voor Viool:


The art of practising the violin
Gerle, Robert

in voorraad

23.50 €    

Saturday 11 July 2020

Momenteel zijn wij open!

Hebt u vragen?

Antwerpen: 03 216 98 46
Leuven: 016 295 495

Of stuur ons een e-mail!

Onze openingsuren


Het Unizo E-commerce Label waarborgt dat u in vertrouwen kan winkelen op deze webshop.

Meer weten...

crumb crumb crumb

Arcangelo Corelli: 12 Sonatas, Op.5 - Vol.2 (Wiener Urtext)

12 Sonatas, Op.5 - Vol.2 (Wiener Urtext). Corelli, Arcangelo

12 Sonatas, Op.5 - Vol.2 (Wiener Urtext)


Arcangelo Corelli  (1653 - 1713)


Viool en basso continuo

Uitgever Wiener Urtext Edition
Bestelbaar Dit artikel is niet (meer) in voorraad. De levertermijn bedraagt normaal vijf tot negen werkdagen. Art.-no. 91297

Onze winkels in Antwerpen en Leuven
Actuele voorraadstatus per winkel:
vijf tot negen werkdagenAntwerpen
vijf tot negen werkdagenLeuven

zet op uw verlanglijstje

These sonatas are among the epoch-making works of the violin repertoire and nowadays figure in the standard repertoire of every violinist. It is all the more surprising, therefore, that until now there has been no Urtext edition of such significant works.

The score is based on a first edition supervised by Corelli himself. From what we know of performance practice in Corelli's time, however, more was expected of the violinist than just a musical reading of the printed score: it was customary to add ornamentation verging on improvisation, with embellishment and "variations as desired". The original score is therefore presented here with the earliest documented ornamentation from a reprint published by Roger in Amsterdam in 1708. This ornamentation is not meant to be slavishly imitated, but to stimulate the player to find their own creative and stylistically confident interpretation of the score. As Roger did not specify any ornaments for the sonatas in the second volume, the "variations as desired" used by Corelli's pupil Geminiani have been reproduced with the ninth Sonata as an example. Advice on performance is given by the Cologne baroque specialist Reinhard Goebel. This advice does not only apply to ornamentation, but also to articulation, bowings and more besides, calling for specific markings in the separate violin part.

The realisation of the continuo part echoes the fashions of that time. Here too, advice on performance is meant to stimulate free interpretation by the continuo player. A figured bass part is included for the player who prefers to read the accompaniment from figures.


  • Violinsonate F-Dur op. 5,10
  • Violinsonate E-Dur op. 5,11
  • Follia d-Moll op. 5,12
  • Violinsonate d-Moll op. 5,7
  • Violinsonate e-Moll op. 5,8
  • Violinsonate A-Dur op. 5,9
(ISMN 9790500572640)