-
Sheet music and methods
- Accordeon
- Banjo
- Bassguitar
- Bassoon
- Carillon
- Cello
- Chamber music
- Children`s songs
- Choir
- Choir and orchestra
- Clarinet
- Directiepartituren
- Double bass
- Electric guitar
- Electronic organ
- Ensemble
- Ethnic instruments
- Etnische tokkelinstr.
- Flute and piccolo
- Folksongs
- Guitar
- Hafabra
- Harmonica
- Harmonium
- Harp
- Harpsichord
- Horn
- Jazz and improvisation
- Keyboard
- Lute
- Mandolin and mandola
- Mixed
- Oboe and english horn
- Opera
- Orchestra
- Organ
- Percussion
- Piano
- Pop music
- Real books
- Recorder
- Saxophone
- Shows and films
- Singing classic
- Songbooks
- Trombone and basstrombone
- Trumpet
- Tuba and euphonium
- Ukulele
- Viola
- Violin
- Solfège and music theory
-
Books about music
- Children`s books
- Composers
- Facsimiles
- Instruments
- Koopjes
- Literature – ficton
- Literature – non-ficton
- Literature- audio books
- Music aesthetics, philosophy
- Music and culture
- Music history
- Music notation
- Music styles
- Music technique and electronics
- Music therapy
- Musicians
- Musicology
- Pedagogy
- Performance practice
-
Acccessories
- Acccessories bassoon
- Acccessories cello
- Acccessories clarinet
- Acccessories double bass
- Acccessories flute
- Acccessories guitar
- Acccessories horn
- Acccessories mandolin
- Acccessories oboe
- Acccessories piano
- Acccessories recorder
- Acccessories soxophone
- Acccessories trombone
- Acccessories trumpet
- Acccessories viola
- Acccessories violin
- Conductor baton
- Hearing protection
- Lighting
- Metronoms and tuners
- Music stands
- Reeds for clarinet
- Reeds for saxophone
- Software
- Strings for banjo
- Strings for bass guitar
- Strings for cello
- Strings for double bass
- Strings for electric guitar
- Strings for guitar
- Strings for mandolin
- Strings for ukulele
- Strings for viola
- Strings for violin
- Gift items and papers
Nachtstücke, Op.23
- Instrument
- Piano
- Author/Composer
- Robert Schumann
- Publisher name
- HENLE VERLAG
- Item type
- Sheet music
Gloomy premonitions plagued Schumann whilst he was working on his latest composition in 1839. The news that his brother Eduard was dying had deeply shaken him. "Writing a ‘Corpse Fantasy' since Monday," he wrote in his diary on 31 March. While he was preparing the composition for publication three-quarters of a year later, he chose the title "Night Pieces" with reference to E. T. A. Hoffmann. However, Schumann probably did not want the work to be perceived as being so nocturnal and dark, because he associated with it the desire that it should "pleasantly remind" one of his brother, who had in the meantime died. We are now publishing it in a newly revised version by Ernst Herttrich reflecting the latest in scholarly research.