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Sheet music and methods
- Accordeon
- Banjo
- Bassguitar
- Bassoon
- Carillon
- Cello
- Chamber music
- Children`s songs
- Choir
- Choir and orchestra
- Clarinet
- Directiepartituren
- Double bass
- Electric guitar
- Electronic organ
- Ensemble
- Ethnic instruments
- Etnische tokkelinstr.
- Flute and piccolo
- Folksongs
- Guitar
- Hafabra
- Harmonica
- Harmonium
- Harp
- Harpsichord
- Horn
- Jazz and improvisation
- Keyboard
- Lute
- Mandolin and mandola
- Mixed
- Oboe and english horn
- Opera
- Orchestra
- Organ
- Percussion
- Piano
- Pop music
- Real books
- Recorder
- Saxophone
- Shows and films
- Singing classic
- Songbooks
- Trombone and basstrombone
- Trumpet
- Tuba and euphonium
- Ukulele
- Viola
- Violin
- Solfège and music theory
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Books about music
- Children`s books
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- Facsimiles
- Instruments
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- Literature – ficton
- Literature – non-ficton
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Acccessories
- Acccessories bassoon
- Acccessories cello
- Acccessories clarinet
- Acccessories double bass
- Acccessories flute
- Acccessories guitar
- Acccessories horn
- Acccessories mandolin
- Acccessories oboe
- Acccessories piano
- Acccessories recorder
- Acccessories soxophone
- Acccessories trombone
- Acccessories trumpet
- Acccessories viola
- Acccessories violin
- Conductor baton
- Hearing protection
- Lighting
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- Music stands
- Reeds for clarinet
- Reeds for saxophone
- Software
- Strings for banjo
- Strings for bass guitar
- Strings for cello
- Strings for double bass
- Strings for electric guitar
- Strings for guitar
- Strings for mandolin
- Strings for ukulele
- Strings for viola
- Strings for violin
- Gift items and papers
Cologne Viola Book
- Instrument
- Altviool
- Author/Composer
- Album
- Co-Author/Editor
- Barbara Maurer
- Publisher name
- Breitkopf & Härtel
- Item type
- Sheet music
"In 2012, 2014, and 2016 under the title ‘Viola Project,' I invited violists and composers to the Hochschule für Musik und Tanz Köln [College for Music and Dance in Cologne] with the objective: ‘Be there when it is composed! Be there when it is rehearsed!' Composers write for violists - and violists can influence this. The old hierarchy ‘superordinate composer' and ‘subordinate performer' are increasingly giving way to a new partnership in which composers and performers recognize that they need each other and work towards the same goal in mutual respect and exchange. This partnership was used and practiced in the viola project. Sometimes I got hot all over when together we tried out one draft after another. Whether then that can go well? Just as young composers composing ‘before witnesses,' we violists sight read and tried out their ideas, sketches, music." (Barbara Maurer)