HOME | ADVANCED SEARCH | INSTANT PRINT | CONTACT | LOG IN | CUSTOMER SERVICE | DELIVERY | PAYMENT
winkelwagen   Shopping basket

Your shopping basket is empty.

 

Everything for Choir:

Recommended!

In Koor Natuurlijk Zingen
Van der Vinne, Klaziene
 


 
in stock

29.94 €    

 
 
Follow us on Facebook

Follow us on

to read all the latest news!

 
Sunday 25 February 2018

Our stores will open on Monday at 10am.

Have a question now? You can reach us by e-mail. We will get back to you as soon as possible.

Our opening hours

 
Quality guarantee

The Unizo E-commerce Label guarantees that you can shop in our web store in good faith.

Learn more...

 
crumb crumb crumb

Heinrich Schütz: Geistliche Chor-Music - Fünfstimmigen Motetten, Nr.1-12

Geistliche Chor-Music - Fünfstimmigen Motetten, Nr.1-12. Schütz, Heinrich
 
Title

Geistliche Chor-Music - Fünfstimmigen Motetten, Nr.1-12

Composer

Heinrich Schütz  (1585 - 1672)

Instrumentation

Mixed choir (satb) with basso continuo

Publisher Bärenreiter Verlag
   
Available to order This item is not in stock for the moment. Usually leaves our warehouse within five to nine business days. SKU: 77668

Our stores in Antwerp and Leuven
Current stock status per store:
 
five to nine business daysAntwerp
five to nine business daysLeuven

 
14.25
save for later
 

In 1648 Heinrich Schütz published a collection of 29 motets with five to seven parts titled “Geistliche Chor-Music” (Sacred Choir Music). Here, the term “Chor” (choir) refers not only to a (large) vocal ensemble but, more generally, to a group of musicians, vocal or instrumental. As explained by Schütz in the foreword he published with the collection, all parts of the motets can be performed vocally and/or instrumentally.
This practice, common in Schütz’s time, has been incorporated into Bärenreiter’s new publication. The edition includes the twelve five-part motets at original pitch with basso continuo. In addition, instrumental parts for string and wind instruments can be purchased. These parts, which include the text, serve to support and complement the choral sound “colla parte”. To enable varying tone-colour possibilities, instrumental parts are available in different transpositions Print on Demand.
Of great significance is the detailed foreword on performance practice by Manfred Cordes.

  • Reflects the latest in musicological research based on the “New Schütz Edition”
  • Includes a detailed foreword (Eng/Ger) on performance practice by a Schütz expert
  • Instrumental parts (strings, winds) available in transpositions PoD

Manfred Cordes is a specialist for the music of the 16th and early 17th centuries. He works as professor for music theory, counterpoint and ensemble and is also rector of the “Hochschule für Künste Bremen”. He performs internationally as the director of the ensemble “Weser-Renaissance Bremen”.

(ISMN 9790006541492)