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Partitions
- Accordeon
- Alto
- Banjo
- Basson
- Carillon
- Chansons pour les enfants
- Chant classique
- Choeur
- Choeur et orchestre
- Clarinette
- Clavecin
- Contrebasse
- Cor
- Directiepartituren
- Ensemble
- Ethnic instruments
- Etnische tokkelinstr.
- Flûte à bec
- Flûte et piccolo
- Guitare
- Guitare basse
- Guitare électrique
- Hafabra
- Harmonica
- Harmonium
- Hautbois et cor anglais
- Herpe
- Jazz et improvisation
- Kamermuziek gemengd
- Keyboard
- Luth
- Mandoline et mandole
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Musique de chambre
- Fluit en gitaar
- Historical instruments with strings
- Instruments historiques à vent
- Kamermuziek blazers
- Kamermuziek blazers (diverse zonder piano)
- Kamermuziek blazers met piano
- Kamermuziek houtblaaskwintet
- Kamermuziek koopjes
- Kamermuziek koperkwintet
- Kamermuziek strijkers (zonder piano)
- Kamermuziek strijkers met piano
- Kamermuziek strijkkwartet
- Various ensembles without piano
- Various ensembles with piano
- Musique du monde
- Musique pop
- Opéra
- Orchestre
- Orgue
- Orgue electronique
- Percussion
- Piano
- Real books
- Saxophone
- Shows et films
- Songbooks
- Trombone et trombone basse
- Trompette
- Tuba et euphonium
- Ukulélé
- Violon
- Violoncelle
- Solfège et théorie de la musique
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Livres sur la musique
- Compositeurs
- Esthétique musicale, philosophie
- Facsimilés
- Histoire de la musique
- Instruments
- Koopjes
- Literature- livres audio
- Littérature – fiction
- Littérature – non-ficton
- Livres pour enfants
- Musiciens
- Musicologie
- Musicothérapie
- Musique et culture
- Notation musicale
- Pédagogie
- Pratique de la performance
- Styles de musique
- Technique musicale et électronique
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Accessoires
- Accessoires alto
- Accessoires basson
- Accessoires clarinette
- Accessoires contrebasse
- Accessoires cor
- Accessoires flûte
- Accessoires flûte à bec
- Accessoires guitare
- Accessoires hautbois
- Accessoires mandoline
- Accessoires piano
- Accessoires saxophone
- Accessoires trombone
- Accessoires trompette
- Accessoires violon
- Accessoires violoncelle
- Anches pour clarinette
- Anches pour saxophone
- Baguettes de direction
- Cordes pour alto
- Cordes pour banjo
- Cordes pour contrebasse
- Cordes pour guitare
- Cordes pour guitare basse
- Cordes pour guitare electrique
- Cordes pour mandoline
- Cordes pour ukelélé
- Cordes pour violon
- Cordes pour violoncelle
- Eclairage
- Métronomes et accordeurs
- Protection auditive
- Pupitres
- Software
- Cadeaux et papeterie
Gregorian Missal (English)
- Instrument
- Zang
- Auteur/Compositeur
- Album
- Éditeur
- ABBAY ST.-PIERRE DE SOLESMES
- Article
- Partition
Gregorian missal - new translation
Includes the newly approved English translation of the Roman
Missal
It contains the Latin and English texts for the complete celebration of Mass, with masses for all Sundays and solemnities and for those feasts which take precedence over a Sunday. In order to limit the size of this volume, it was necessary to omit the text of the readings. Only the references have been given.All chant melodies - both for the Ordinary of Mass and for the Propers - are presented in the traditional square Gregorian notation with the added rhythmical signs.
Alongside the Latin prayers, in a second column, have been placed the corresponding texts of the official liturgical translation for English speaking countries. These were created for the needs of the vernacular liturgy and they are printed here in conformity with official directives, even though they do not always constitute a literal, word for word rendering of the Latin. The notated Gregorian chant pieces proper to each Mass, are generally followed by our own translation, printed across the full width of the page. Its only function is to facilitate comprehension of the sung Latin text, and it is in no way intended for use in the Liturgy.
The Gregorian Missal is intended for the faithful who participate in Mass sung in Gregorian chant. It is useful both for choirs and for the people in general, since the proper chants of the Gregorian repertory, as presented in the post-Vatican II edition of the Roman Gradual approved by Pope Paul VI, do not, as a rule, correspond to the song texts proposed in the present-day Roman Missal.