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Partitions
- Accordeon
- Alto
- Banjo
- Basson
- Carillon
- Chansons pour les enfants
- Chant classique
- Choeur
- Choeur et orchestre
- Clarinette
- Clavecin
- Contrebasse
- Cor
- Directiepartituren
- Ensemble
- Ethnic instruments
- Etnische tokkelinstr.
- Flûte à bec
- Flûte et piccolo
- Guitare
- Guitare basse
- Guitare électrique
- Hafabra
- Harmonica
- Harmonium
- Hautbois et cor anglais
- Herpe
- Jazz et improvisation
- Kamermuziek gemengd
- Keyboard
- Luth
- Mandoline et mandole
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Musique de chambre
- Fluit en gitaar
- Historical instruments with strings
- Instruments historiques à vent
- Kamermuziek blazers
- Kamermuziek blazers (diverse zonder piano)
- Kamermuziek blazers met piano
- Kamermuziek houtblaaskwintet
- Kamermuziek koopjes
- Kamermuziek koperkwintet
- Kamermuziek strijkers (zonder piano)
- Kamermuziek strijkers met piano
- Kamermuziek strijkkwartet
- Various ensembles without piano
- Various ensembles with piano
- Musique du monde
- Musique pop
- Opéra
- Orchestre
- Orgue
- Orgue electronique
- Percussion
- Piano
- Real books
- Saxophone
- Shows et films
- Songbooks
- Trombone et trombone basse
- Trompette
- Tuba et euphonium
- Ukulélé
- Violon
- Violoncelle
- Solfège et théorie de la musique
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Livres sur la musique
- Compositeurs
- Esthétique musicale, philosophie
- Facsimilés
- Histoire de la musique
- Instruments
- Koopjes
- Literature- livres audio
- Littérature – fiction
- Littérature – non-ficton
- Livres pour enfants
- Musiciens
- Musicologie
- Musicothérapie
- Musique et culture
- Notation musicale
- Pédagogie
- Pratique de la performance
- Styles de musique
- Technique musicale et électronique
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Accessoires
- Accessoires alto
- Accessoires basson
- Accessoires clarinette
- Accessoires contrebasse
- Accessoires cor
- Accessoires flûte
- Accessoires flûte à bec
- Accessoires guitare
- Accessoires hautbois
- Accessoires mandoline
- Accessoires piano
- Accessoires saxophone
- Accessoires trombone
- Accessoires trompette
- Accessoires violon
- Accessoires violoncelle
- Anches pour clarinette
- Anches pour saxophone
- Baguettes de direction
- Cordes pour alto
- Cordes pour banjo
- Cordes pour contrebasse
- Cordes pour guitare
- Cordes pour guitare basse
- Cordes pour guitare electrique
- Cordes pour mandoline
- Cordes pour ukelélé
- Cordes pour violon
- Cordes pour violoncelle
- Eclairage
- Métronomes et accordeurs
- Protection auditive
- Pupitres
- Software
- Cadeaux et papeterie
16 Appelations
- Instrument
- Gitaar
- Auteur/Compositeur
- Norbert Leclercq
- Éditeur
- Les Productions D'Oz
- Article
- Partition
"This is a very well presented volume with clearly set out notation. Each piece is around a page in length a distinct rhythmical character which generally remains consistent throughout each piece. While the technical demands appear to be aimed at the early intermediate player the musical ideas are quite challenging with quirky melodies and unexpected harmonies. The fingerboard is used extensively and the profusion of accidentals demands careful reading, with the absence of fingering adding to the challenge. Position shifts are clearly indicated, however.
Nova has an attractive lilt in 3/8 requiring p,i,m figurations, shifting to fifth position: Rime, in D major, has a stately feel with scalic figures. Brin is a gigue-like undulating melody in 6/8 with a narrow tonal range exploring the upper strings in seventh position, fun to play, a folky modal theme. Also in 6/8, Palette's unexpected harmonic structure gives a humorous touch.
Textures become increasingly more complex in the later pieces with bass lines and two and three part chords. Sari, two pages in length, employs semiquaver movement and the final offering. Carat, shifts frequently around the fingerboard with a characterful quaver and semiquaver rhythm and plenty of accidentals.
These pieces did grow on me as I played them and they are useful for the development of quick-thinking around the fingerboard. Playing level around grades two to six."
Linda Kelsall-Barnett (Classical Guitar Magazine