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Partitions
- Accordeon
- Alto
- Banjo
- Basson
- Carillon
- Chansons pour les enfants
- Chant classique
- Choeur
- Choeur et orchestre
- Clarinette
- Clavecin
- Contrebasse
- Cor
- Directiepartituren
- Ensemble
- Ethnic instruments
- Etnische tokkelinstr.
- Flûte à bec
- Flûte et piccolo
- Guitare
- Guitare basse
- Guitare électrique
- Hafabra
- Harmonica
- Harmonium
- Hautbois et cor anglais
- Herpe
- Jazz et improvisation
- Kamermuziek gemengd
- Keyboard
- Luth
- Mandoline et mandole
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Musique de chambre
- Fluit en gitaar
- Historical instruments with strings
- Instruments historiques à vent
- Kamermuziek blazers
- Kamermuziek blazers (diverse zonder piano)
- Kamermuziek blazers met piano
- Kamermuziek houtblaaskwintet
- Kamermuziek koopjes
- Kamermuziek koperkwintet
- Kamermuziek strijkers (zonder piano)
- Kamermuziek strijkers met piano
- Kamermuziek strijkkwartet
- Various ensembles without piano
- Various ensembles with piano
- Musique du monde
- Musique pop
- Opéra
- Orchestre
- Orgue
- Orgue electronique
- Percussion
- Piano
- Real books
- Saxophone
- Shows et films
- Songbooks
- Trombone et trombone basse
- Trompette
- Tuba et euphonium
- Ukulélé
- Violon
- Violoncelle
- Solfège et théorie de la musique
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Livres sur la musique
- Compositeurs
- Esthétique musicale, philosophie
- Facsimilés
- Histoire de la musique
- Instruments
- Koopjes
- Literature- livres audio
- Littérature – fiction
- Littérature – non-ficton
- Livres pour enfants
- Musiciens
- Musicologie
- Musicothérapie
- Musique et culture
- Notation musicale
- Pédagogie
- Pratique de la performance
- Styles de musique
- Technique musicale et électronique
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Accessoires
- Accessoires alto
- Accessoires basson
- Accessoires clarinette
- Accessoires contrebasse
- Accessoires cor
- Accessoires flûte
- Accessoires flûte à bec
- Accessoires guitare
- Accessoires hautbois
- Accessoires mandoline
- Accessoires piano
- Accessoires saxophone
- Accessoires trombone
- Accessoires trompette
- Accessoires violon
- Accessoires violoncelle
- Anches pour clarinette
- Anches pour saxophone
- Baguettes de direction
- Cordes pour alto
- Cordes pour banjo
- Cordes pour contrebasse
- Cordes pour guitare
- Cordes pour guitare basse
- Cordes pour guitare electrique
- Cordes pour mandoline
- Cordes pour ukelélé
- Cordes pour violon
- Cordes pour violoncelle
- Eclairage
- Métronomes et accordeurs
- Protection auditive
- Pupitres
- Software
- Cadeaux et papeterie
Improvisation As Never Seen Before
- Auteur/Compositeur
- John Tsapidis
- Éditeur
- MUSIC METHODS & SERVICING
- Article
- Livre
In this method improvisation is viewed and taught as an autonomous subject that stands on its own. This method is addressed to students of music and musicians who play any kind of instrument and any genre of music (including the standards of Jazz).
To be 100% certain as to the reliability of his didactic method the author sought the guidance and approval of several colleagues (i.e. professors of music) long before the publishing of his method. This method has been read and approved by four distinguished professors of music. Their supportive commentaries have been printed at the back cover. It has been also revised several times following the useful guidelines of Dr. Rod Paton regarding the didactic part and the accessibility of the method.
It is 100% realistic in that it puts the focus on outlining and using the process that takes place whenever a professional improviser wishes to craft an improvisation on a certain tune.
Its concrete step-by-step methodology is strongly supported by examples and assignments.
It is well balanced and varied, spanning from the view points and definitions of the author to the view points and definitions of various academics and professors.
The chapter "Implementation of the recommended method" covers all kinds of existing improvisations.
In the entirety of examples two of them are very well known:
- Happy Birthday to You (to encourage the student and the beginner).
- Fur Elise (for those who love the classics)
This method is totally different from all currently existing methods that refer to improvisation which are focused exclusively on Jazz, (providing plenty of jazz patterns, extended chords, etc) Other methods are focused (a) either on the technique of a certain instrument (squeezing the subject of improvisation in a few pages) or (b) on the material which could be used for the crafting of an improvisation.