-
Partitions
- Accordeon
- Alto
- Banjo
- Basson
- Carillon
- Chansons pour les enfants
- Chant classique
- Choeur
- Choeur et orchestre
- Clarinette
- Clavecin
- Contrebasse
- Cor
- Directiepartituren
- Ensemble
- Ethnic instruments
- Etnische tokkelinstr.
- Flûte à bec
- Flûte et piccolo
- Guitare
- Guitare basse
- Guitare électrique
- Hafabra
- Harmonica
- Harmonium
- Hautbois et cor anglais
- Herpe
- Jazz et improvisation
- Kamermuziek gemengd
- Keyboard
- Luth
- Mandoline et mandole
-
Musique de chambre
- Fluit en gitaar
- Historical instruments with strings
- Instruments historiques à vent
- Kamermuziek blazers
- Kamermuziek blazers (diverse zonder piano)
- Kamermuziek blazers met piano
- Kamermuziek houtblaaskwintet
- Kamermuziek koopjes
- Kamermuziek koperkwintet
- Kamermuziek strijkers (zonder piano)
- Kamermuziek strijkers met piano
- Kamermuziek strijkkwartet
- Various ensembles without piano
- Various ensembles with piano
- Musique du monde
- Musique pop
- Opéra
- Orchestre
- Orgue
- Orgue electronique
- Percussion
- Piano
- Real books
- Saxophone
- Shows et films
- Songbooks
- Trombone et trombone basse
- Trompette
- Tuba et euphonium
- Ukulélé
- Violon
- Violoncelle
- Solfège et théorie de la musique
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Livres sur la musique
- Compositeurs
- Esthétique musicale, philosophie
- Facsimilés
- Histoire de la musique
- Instruments
- Koopjes
- Literature- livres audio
- Littérature – fiction
- Littérature – non-ficton
- Livres pour enfants
- Musiciens
- Musicologie
- Musicothérapie
- Musique et culture
- Notation musicale
- Pédagogie
- Pratique de la performance
- Styles de musique
- Technique musicale et électronique
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Accessoires
- Accessoires alto
- Accessoires basson
- Accessoires clarinette
- Accessoires contrebasse
- Accessoires cor
- Accessoires flûte
- Accessoires flûte à bec
- Accessoires guitare
- Accessoires hautbois
- Accessoires mandoline
- Accessoires piano
- Accessoires saxophone
- Accessoires trombone
- Accessoires trompette
- Accessoires violon
- Accessoires violoncelle
- Anches pour clarinette
- Anches pour saxophone
- Baguettes de direction
- Cordes pour alto
- Cordes pour banjo
- Cordes pour contrebasse
- Cordes pour guitare
- Cordes pour guitare basse
- Cordes pour guitare electrique
- Cordes pour mandoline
- Cordes pour ukelélé
- Cordes pour violon
- Cordes pour violoncelle
- Eclairage
- Métronomes et accordeurs
- Protection auditive
- Pupitres
- Software
- Cadeaux et papeterie
Anthology of 18th-century English Organ Music - 4
- Instrument
- Orgel
- Auteur/Compositeur
- Album
- Arrangeur
- David Patrick
- Éditeur
- OXFORD UNIVERSITY PRESS
- Article
- Partition
- John Bennett: Voluntary in D major, 10 Voluntaries for the Organ or Harpsichord, No. 10
- John 'Christmas' Beckwith: Voluntary in C minor, 6 Voluntaries for Organ, Harpsichord, etc., No. 6
- Charles Burney: Cornet Piece in A major, 6 Cornet Pieces, No. 2
- Jonas Blewitt: Voluntary in Bb major, Op. 4 No. 4
- George Berg: Voluntary in C minor, Op. 8 No. 19
- Henry Heron: Voluntary in D major, Op. 1 No. 1
- George Green: Voluntary in E major, 6 Voluntarys for the Organ, Pianoforte or Harpsichord, No. 4
- Matthias Hawdon: Sonata in Bb major, Op. 4 No. 4
- Robert Broderip: Voluntary in G major, Op. 5 No. 4
- James Nares: Fuga in F major, 6 Fuges [sic] with Introductory Voluntarys for the Organ or Harpsichord
- John Travers: Voluntary in D, 12 Voluntaries for the Organ or Harpsichord, No. 3
- (Charles) Thomas Carter: Voluntary in G major, Op. 37 No. 2
- John Keeble: Piece in F, A Second Set of Select Pieces for the Organ, No. 7
- Thomas Sanders Dupuis: Voluntary in D major, Op. 8 No. 1
This four-volume anthology contains a sparkling selection of pieces and represents all the major composers of the period. It includes pieces in all the main genres, with Cornet and Trumpet Voluntaries, Echo Voluntaries, fugal works with slow introductions, and Full Voluntaries; as such, the collection offers a wide range of attractive music suitable for both church and recital use.
Each volume contains an extended Introduction, with information on instruments of the period, registration, ornamentation, and notes on the composers. An important feature of the collection is an editorial realization of the cadenzas which occur at key points in some of the pieces; these complete the works and demonstrate how they would have been performed at the time.
With extended historical information and a wonderful array of pieces carefully edited from original sources, this is a major collection that will be of interest to organists of all abilities.