ACCUEIL | RECHERCHE AVANCÉE | INSTANT PRINT | CONTACT | SE CONNECTER | SERVICE CLIENTELE | LIVRAISON | PAIEMENT
winkelwagen   Caddie

Votre caddie est vide.

 

Tout sur Théorie:

Recommandé!

Vademecum van de Algemene Muziekleer
Gistelinck, Daniel
 


 
en stock

16.20 €    

 
 
Suivez nous sur Facebook

Suivez nous sur

et ne ratez plus nos nouveautés!

 
Saturday 27 May 2017

Nous sommes ouvert de 10h.

Avez vous des questions?

Envoyez nous un mail!
Nous vous répondons dès que possible.

Nos heures d'ouverture

 
Qualité garantie

Le label de E-commerce vous garantit que vous pouvez faire du shopping en toute sécurité sur notre site.

En savoir plus...

 
crumb crumb crumb

Paulo De Assis, William Brooks, Kathleen Coessens: Sound and Score

Sound and Score. De Assis, Paulo; Brooks, William; Coessens, Kathleen
 
Titre

Sound and Score

Compositeur

Paulo De Assis, William Brooks, Kathleen Coessens

Instrumentation

Livre

Editeur Leuven University Press
   
A commander Cet article n'est plus en stock. Cet article n'est plus en stock.
Le délai de livraison n'est pas connu.
No. art. 86323

Nos magasins à Anvers et Louvain
Etat du stock par magasin:
 
Anvers
Louvain

 
39.50
ajouter à votre liste des désiderata
 

Subtitle: Essays on Sound, Score and Notation

Exploring the complex and intimate relations between sound, score and notation
Sound and Score brings together music expertise from prominent international researchers and performers  exploring the intimate relations between sound and score and the artistic possibilities that this relationship yields for performers, composers and listeners.

Considering "notation" as the totality of words, signs, and symbols encountered on the road to an accurate and effective performance of music, this book embraces different styles and periods in a comprehensive understanding of the complex relations between invisible sound and mute notation, between aural perception and visual representation, and between the concreteness of sound and the iconic essence of notation.

Three main perspectives structure the analysis: a conceptual approach that offers contributions from different fields of enquiry (history, musicology, semiotics), a practical one that takes the skilled body as its point of departure (written by performers), and finally an experimental perspective that challenges state-of-the-art practices, including transdisciplinary approaches in the crossroads to visual arts and dance.

Contributors
Virginia Anderson (Experimental Music Catalogue), Paulo de Assis (Orpheus Institute), Sandeep Bhagwati (Concordia University Montréal), Robin T. Bier (University of York), Maria Calissendorff (Royal College of Music, Stockholm), Miguelàngel Clerc (Leiden University), Kathleen Coessens (Vrije Universiteit Brussel and Orpheus Institute), Jeremy Cox (European Association of Conservatoires - AEC), Darla Crispin (Orpheus Institute), Anne Douglas (Robert Gordon University), Gregorio García Karman (University of Huddersfield), Yolande Harris (Leiden University), Susanne Jaresand (Royal College of Music, Stockholm), Tanja Orning (Norwegian Academy of Music, Oslo), Paul Roberts (Guildhall School of Music and Drama, London), Anna Scott (Leiden University), Andreas Georg Stascheit (Institute for Advanced Study in the Humanities, Essen/Dortmund University)

 

(ISBN 9789058679765)