ACCUEIL | RECHERCHE AVANCÉE | INSTANT PRINT | CONTACT | SE CONNECTER | SERVICE CLIENTELE | LIVRAISON | PAIEMENT
winkelwagen   Caddie

Votre caddie est vide.

 

Tout pour Thématique:

Recommandé!

Het Mozart Effect
Campbell, Don
 


 
en stock

9.95 €    

 
 
Suivez nous sur Facebook

Suivez nous sur

et ne ratez plus nos nouveautés!

 
Wednesday 22 February 2017

Nous sommes ouvert!

Avez-vous des questions?

Anvers: 03 216 98 46
Louvain: 016 295 495

Ou envoyez nous un mail!

Nos heures d'ouverture

 
Qualité garantie

Le label de E-commerce vous garantit que vous pouvez faire du shopping en toute sécurité sur notre site.

En savoir plus...

 
crumb crumb crumb

Alessandro Cervino, Maria Lettberg, Tania Lisboa, Catherine Laws: The Practice of the Practising

The Practice of the Practising. Cervino, Alessandro; Lettberg, Maria; Lisboa, Tania; Laws, Catherine
 
Titre

The Practice of the Practising

Compositeur

Alessandro Cervino, Maria Lettberg, Tania Lisboa, Catherine Laws

Instrumentation

Livre

Editeur Leuven University Press
   
A commander Cet article n'est plus en stock. Cet article n'est plus en stock.
Le délai de livraison n'est pas connu.
No. art. 86326

Nos magasins à Anvers et Louvain
Etat du stock par magasin:
 
Anvers
Louvain

 
25.00
ajouter à votre liste des désiderata
 

The process of practising is intrinsic to musical creativity. Practising may primarily be thought of as technical, but it is often also musically meaningful, including elements of interpretation, improvisation, and/or composition. The practice room can be a space in which to explore a field of creative possibilities; a place to experiment and to refine ideas.

To date, the literature on practice has been primarily pedagogical and psychological. Little attention is paid to the significance of practice, and especially to the role of embodied experience - of understanding gained through doing - in the forming of musical ideas. The Practice of Practising is primarily concerned with considering practising as a practice in itself: a collection of processes that determines musical creativity and significance. The volume comprises four diverse case studies, in relation to music by J. S. Bach, Elliott Carter, Alfred Schnittke, and Morton Feldman, presenting both solo and ensemble perspectives.

(ISBN 9789058678485)