-
Partitions
- Accordeon
- Alto
- Banjo
- Basson
- Carillon
- Chansons pour les enfants
- Chant classique
- Choeur
- Choeur et orchestre
- Clarinette
- Clavecin
- Contrebasse
- Cor
- Directiepartituren
- Ensemble
- Ethnic instruments
- Etnische tokkelinstr.
- Flûte à bec
- Flûte et piccolo
- Guitare
- Guitare basse
- Guitare électrique
- Hafabra
- Harmonica
- Harmonium
- Hautbois et cor anglais
- Herpe
- Jazz et improvisation
- Kamermuziek gemengd
- Keyboard
- Luth
- Mandoline et mandole
-
Musique de chambre
- Fluit en gitaar
- Historical instruments with strings
- Instruments historiques à vent
- Kamermuziek blazers
- Kamermuziek blazers (diverse zonder piano)
- Kamermuziek blazers met piano
- Kamermuziek houtblaaskwintet
- Kamermuziek koopjes
- Kamermuziek koperkwintet
- Kamermuziek strijkers (zonder piano)
- Kamermuziek strijkers met piano
- Kamermuziek strijkkwartet
- Various ensembles without piano
- Various ensembles with piano
- Musique du monde
- Musique pop
- Opéra
- Orchestre
- Orgue
- Orgue electronique
- Percussion
- Piano
- Real books
- Saxophone
- Shows et films
- Songbooks
- Trombone et trombone basse
- Trompette
- Tuba et euphonium
- Ukulélé
- Violon
- Violoncelle
- Solfège et théorie de la musique
-
Livres sur la musique
- Compositeurs
- Esthétique musicale, philosophie
- Facsimilés
- Histoire de la musique
- Instruments
- Koopjes
- Literature- livres audio
- Littérature – fiction
- Littérature – non-ficton
- Livres pour enfants
- Musiciens
- Musicologie
- Musicothérapie
- Musique et culture
- Notation musicale
- Pédagogie
- Pratique de la performance
- Styles de musique
- Technique musicale et électronique
-
Accessoires
- Accessoires alto
- Accessoires basson
- Accessoires clarinette
- Accessoires contrebasse
- Accessoires cor
- Accessoires flûte
- Accessoires flûte à bec
- Accessoires guitare
- Accessoires hautbois
- Accessoires mandoline
- Accessoires piano
- Accessoires saxophone
- Accessoires trombone
- Accessoires trompette
- Accessoires violon
- Accessoires violoncelle
- Anches pour clarinette
- Anches pour saxophone
- Baguettes de direction
- Cordes pour alto
- Cordes pour banjo
- Cordes pour contrebasse
- Cordes pour guitare
- Cordes pour guitare basse
- Cordes pour guitare electrique
- Cordes pour mandoline
- Cordes pour ukelélé
- Cordes pour violon
- Cordes pour violoncelle
- Eclairage
- Métronomes et accordeurs
- Protection auditive
- Pupitres
- Software
- Cadeaux et papeterie
Consolations, Grand Solo... e.a. (New Liszt Edition A - Suppl.10)
- Instrument
- Piano
- Auteur/Compositeur
- Franz Liszt
- Éditeur
- EDITIO MUSICA BUDAPEST
- Article
- Partition
Of the early versions of works included in this volume the first versions of the notably popular Consolations cycle and Grand solo de concert (published in 1850) are of particular interest. In the first version of Consolations the third movement was a style hongrois piece whose thematic material was later used by Liszt in his Hungarian Rhapsody No. 1 (published in 1851). The first version of Grand solo de concert shows that the work did not originally include a slow middle section to be recapitulated towards the end as seen in the final version. This is a characteristically Lisztian feature that would reappear a few years later in his Sonata in B minor.
A detailed preface in Hungarian, English, and German, including new research results, numerous manuscript facsimiles, and critical notes, makes this volume of the New Liszt Edition an important publication of immense scholarly value. Along with the cloth-bound Complete Edition, a paperback version for practical use has also been published. This edition's contents are identical to those of the hardcover edition with the exception that the critical notes are not included.
Content:
- La Romanesca. Mélodie du 16e siecle, R 91, SW 252a, NG2 A14: 1st version SH 252i
- Canzone napolitana. Notturno, R 92, SW 248, NG2 A85 1st version SH 248i
- Consolations, R12, SW 172: 1st version SH171a, NG2 A111a - No. 1
- Consolations, R12, SW 172: 1st version SH171a, NG2 A111a - No. 2
- Consolations, R12, SW 172: 1st version SH171a, NG2 A111a - No. 3 (D'apres une mélodie hongroise)
- Consolations, R12, SW 172: 1st version SH171a, NG2 A111a - No. 4 (D'apres un L. D. S. A. I. M. P........)
- Consolations, R12, SW 172: 1st version SH171a, NG2 A111a - No. 5
- Consolations, R12, SW 172: 1st version SH171a, NG2 A111a - No. 6
- Grand solo de concert - Grosses Konzertsolo, R18, SW 176, NG2 A167: 1st version SH 175a
- Wilde Jagd - Scherzo, R20, SW 177, NG2 A174: 1st version SH 176a
- Huldigungsmarsch, R 49, SW 228, NG2 A182: 1st version SH 228i
- Berceuse, R 57a, SW 174, NG2 A186: 1st version SH 174i
- Magnificat, R 68/1, SW 183/1, NG2 A216: 1st version SH 182a
- Ave Maria, R 193a, SW 504, NG2 A247: 1st version SH 504i
- Ave Maria aus den Kirchenchorgesängen, R 193a, SW 504, NG2 A247: 1st version SH 504i
- Appendix - Madrigal, R-, SW/SH-, NG2-
- Appendix - Consolations, R 12, SW 172: 1st version SH 171a, NG2 A111a - No. 6 Album leaf
- Appendix - Consolations , R 12, SW/SH 172, NG2 A111b No. 1 Album leaf
- Appendix - Consolations R 12, SW/SH 172, NG2 A111b No. 3 Sketch